leadership development


So here we are at The Final. Even if I’m not entirely about the numbers (as my MBTI and other psychometric experiences confirmed), I can calculate on the spot pretty well for someone whose background and strengths are mostly on the creative side of the fence. So if time really is money, I  reckon this series has cost me about a grand at my going rate. Ok, it’s had its moments, but any sense of a meaningful return has been a little difficult to identify.

Nor am I entirely proud that I’ve reviewed the episodes as if I’ve been watching televised pantomime, but that is what much of the series has felt like: the reviews are at least honest. And few reviewers – except one or two written by people taking themselves rather too seriously (or trying too hard to sell their own services) – have treated the programme with much more respect. There has been wisdom on offer, but all too often it’s been Norman Wisdom rather than Business Wisdom. No disrespect to Nick Hewer, Karren Brady or Lord Sugar himself: I’m sure your intentions are entirely honourable and your hearts are in the right places. But a lot of the audience are laughing up their sleeves rather than taking notes. There also seems to be a consensus that this hasn’t been a bumper series: the candidates have neither shone with brilliance nor dazzled with ineptitude, and the format feels tired. (If you can’t be clever, be likeable and all that …)

Indeed, the format is now an ugly cut and shunt job. The title never really belonged: whatever the programme has ever been, a structured learning programme with constant mentoring isn’t it. The task format worked while it was about picking an employee, but has not been amended now that it’s about identifying a partner to invest in. As The Telegraph pointed out, this year and last year’s eventual winners were both the candidate in the final who had been on the losing team the most often. (Although this criticism also overlooks the factor that annoys me: the worst or weakest performance can easily be on the winning team, while someone else must be fired.) The selection process may introduce a ‘reality tv’ level of suspense into the series, but as a model of business selection criteria it needs a stern word in its ear. (Claude, do you have a moment?) As models for assessment centres go, It’s A Knockout is an unusual choice.

Interestingly, the ‘The Final Five’ and the ‘Why I Fired Them’ programmes gave the viewer rather more beyond slapstick and buffoonery than the actual episodes: they had moments of a sober reflective quality that reviewed business strengths and personal qualities in ways that the tasks themselves have not. And as Lord Sugar reminded us in them, the process is also about the person: as well as an investor, Lord Sugar will be a business partner with the eventual winner. Good luck with that, as they say. And are you sure you didn’t want that dog?

Anyway, here we all are at the Institute of Directors, and each finalist gets a couple of sentences to outline their business plan. Nick offers a one-click facility for any recipe on the internet so we can buy the ingredients in one fell swoop. Tom is punting a hedge fund based around investments in fine wines. Jade is offering a call centre the size of Wales. Or perhaps Nepal. And Ricky is proposing an ethical recruitment service aimed at the scientific industries.

(more…)

We’ve introduced you to the runners and riders for this penultimate hurdles challenge of the season, and let you review their form in the paddock. So let’s get the cameras rolling and take you to West London for the Burlington Arcade Handicap Chase. And who better to set the scene than contemporary business’ very own Burlington Bertie from Bow? Lord Sugar, for it is he, sets up the challenge to create affordable luxury items. Roll up, roll up, get yer entrepreneurs ‘ere, ladies and gentlemen. (One of the candidates makes a remark about the final heat being the one to sort the men from the boys. I’d man up if I were you, Jade. Or cuff someone.)

The trick of the task is presumably in the non-sequitor. Charged with creating the product, the branding, a retail environment and an industry experts pitch, market positioning and retail strategy will be critically important here. Not so much as little nuggets of poshness for poorer people, but more as the kind of pampering items that still sell even in hard times. (The BBC has presumably slipped up somewhere on the socio-economic inequality indicators, but we’ll let it pass.)

(more…)

I’m not sure about this additional episode. In one way, it’s the Personal Statement section of the application form, where we get to understand their individual drivers and see their pitch in terms of strengths. It also provides Karren and Nick – who, we should attempt to remember, are the two people who have actually witnessed and observed the participants over the long string of tasks they’ve completed. (Lord Sugar’s acquaintance with them is limited to task-setting cameos, a quick game of whiff-whaff one afternoon and the Boardroom session, which focus mostly on the losers.)

In televisual terms – and for televisual reasons – it’s also the sob story/background bit. Is this supplementary information that you’d normally welcome in a recruitment process, or sentimental special pleading masquerading as light entertainment? This is the kind of material that’s usually filler in X Factor, surely? If this was Big Brother, a cartoon Geordie would announce at this point that “You decide”.

But we don’t. Lord Alan, Nick and Karren decide, and we don’t know if they even care that so and so loves his Mum or comes from good stock. After all, so do – in their different ways – Edward VIII and bowls of dripping. I’m not sure I’d want to invest in either. What really drives them? It’s too easy and tempting to say “A cab, with luck”, but here is a summary of the runners and riders for the semi-final.

(more…)

Even the continuity girl was ready with the puns this week, and the programme hadn’t even started. The remaining up and coming geniuses of British Enterprise were going to raise awareness of British wine, so out came the phrases – corker of an episode, bursting bubbles, fizzing. For pity’s sake people, I’m missing Lewis for this, and that has moments of genuine suspense. And ad breaks. Still, let’s see what sells, eh? The market’s never wrong: tamagotchi, Justin Bieber, Greece …

We start in the Champagne Bar at St Pancras at 6.30am. On the way there in the cab, Ricky is already giving it 110% with the verbals, while Gab and Tom look like they want to kill someone. Possibly Ricky. Lordalan sets the scene by plugging the quality of English Sparkling Wine. In truth, he’s right: it really has won several credible international wine awards. But it’s up against the brand awareness of champagne, and it sorely needs public awareness of its competitive quality. The task is to prepare a website and video as an online ad. Although, perhaps with an unspoken nod to the emergence of technocratic administrations as a solution to crisis, this week’s task will be judged on the basis of the inputs of an industry expert panel. The horse may be dead, but at least they’re not flogging it for once.

I’ve approved of this method of judging in the past, not least because it allows the candidates to receive feedback – albeit partly indirectly – from the task’s client: the element of learning – which should be central to the concept of ‘apprentice’ – is momentarily restored. And the client quite possibly learns something about providing constructive feedback in challenging circumstances. But the actual tasks beg the question as to whether Lordalan is searching for a business partner or a PR trainee, even if they do move us on slightly from scoring people on their ability to punt tat.

(more…)

Irony abounds, doesn’t it? Entrepreneurial gladiators woken from their pre-dawn slumber, sleeping three or four to a room behind the surface glamour of their Bayswater mansion when there’s a Travelodge within spitting distance. A judging process that isn’t only all about sales rather than investment potential, but which also assesses income while ignoring expenditure. An episode that might have inspired us with a few remarks about the importance of physical fitness for entrepreneurial success, but which encouraged us to sit on our bottoms for an hour, possibly swilling a low calorie vodka or two. Did I miss the round where they invent new bar games and someone comes up with ‘Loser Stays On’?

The location for this week’s surprisingly poetic briefing? York Hall, famous East End boxing club. There was a ‘locally’ missing there, I thought, as some of the contenders looked like they thought Bethnal Green was one of Farrow & Ball’s new seasonal emulsion colours. Thankfully, no-one said anything to the effect of ‘the gloves are off’ or ‘seconds out’. ‘Seconds’ in this context are slightly inferior versions you buy as cheap as possible and then flog vigorously. And the task? Designing a new exercise class to license to health club chains. Jog on, I thought quietly to myself …

(more…)

OK, I missed Episode 1. No, I didn’t nod off: I was Down Under, 12 hours out of sync, and eating breakfast in a campervan. Whether muesli, banana and sunshine were better for me than another episode of this must remain a debate to be had elsewhere, but I didn’t have a sense of missing it. Having concluded, watching the last series, that the programme struggles to really be either a business lesson or an entertainment (we’ll return to that in a moment), watching Episode 2 in the throes of jetlag wasn’t a great idea. While the running metaphor of review the last series was Steve, sat on a sofa in Rotherham, the show’s ‘magic’ didn’t rub off on Dave, sat on a sofa in Milton Keynes. I drifted, more in the sense of Mae West’s oft-quoted remark than in the sense of any kind of reverie. And I wasn’t Snow White before I started, even without the capital letters.

It was the week of The Invention Task. “Aren’t they all?”, I mused woozily, in as much as every episode seems essentially to turn on the alchemic process of turning old rope into fivers by the magical application of egotism, backstabbing and a carefully edited sense of urgency. I’m sure the programme should be instilling some kind of appreciation of the virtues of the ideal businessperson, but the commentary I read over the weekend that most reminded me of the programme was actually an interview with Marianne Faithfull in The Guardian, where her answer to the splendid question “Which of the sins do you feel you have explored most fully?” was as follows:

I’ve had a go at most, but in this piece Brecht turns them all upside down, so that lust becomes love. Pride becomes pride in your work. Envy is actually the hardest sin to make positive.”

(more…)

Books that take a big picture theme and attempt to explain it clearly, preferably with a sprinkling of anecdotes, are in vogue. Alain de Botton recently brought us Religion for Atheists, while Sunstein and Thaler brought us Nudge, which proposed a ‘third way’ (while trying not to call it that) between paternalism and libertarianism. Amusing us with tales of insects painted onto urinals to encourage a sense of direction, they also took aim – in a more metaphorical sense – at behavioural economics, explaining how a cheese and wine party hosted by ‘Econs’ might turn out. (Fabulously for those who look primarily for efficiency as the sign of a good party, it would appear.)

Masters of Management, a fairly updated version of the earlier The Witch Doctors (an absolute classic, available from Amazon for £0.01 at time of writing, and still eminently readable), shares this ever-so-slightly-down-the-bridge-of-one’s-nose view of the labouring millions, as one might expect from a writer schooled by The Economist. There are one or two things that the reader has to take for granted -not least that this is a by-product of The Economist, and that free market theories will be politely and eruditely defended while egalitarian tendencies can expect criticism. But a few sacred cows are declared fair game along the way, and if not exactly slaughtered then at the least given quite a public carpeting. And the wider world also makes a welcome intrusion. Though it’s not the kind of book to use such a flippant example, were it to view, say, Cabaret through economists’ eyes, it wouldn’t stop at commenting on the skilful deployment of a low-cost pool of creative labour (the turns), the ironic brand-positioning (the band), and the approach to a potentially hostile demographic (selling drinks and ‘services’ to the SS). It would also point out that the rise of fascism and the advent of war was going to have a disastrous impact on more than just the bar’s P&L account.

(more…)

The charisma thing has, it seems, raised its perfectly groomed head once more. The always readable Mervyn Dinnen blogged in response to a Guardian article by Jonathan Freedland, both exploring the apparent gap between the type of leaders we elect or support, and the kind of leaders we might choose if perhaps we put a bit more thought into the process. As is customary in contemporary business blogging circles, lines from a song were quoted. I think this is primarily an attribute of the demographic profile of bloggers, and can only plead guilty. And as songs go, Paul Weller’s Going Underground has retained the lyrical and emotive power it originally had around the time I heard being blasted live from the back of flat-bed trucks at various protests and marches in the early 1980s. Personally, however, I might have chosen a line a few bars further into the song that strikes me as both truer and considerably more cynical: “The public wants what the public gets”.

That’s not a suggestion of subservience, masochism or blind obedience, by the way. I think it’s rather closer to Gareth Jones’ observation, posted as a comment to Mervyn Dinnen’s blog post:

When you live in a bubble, that is all you know. If, for example you have 2 large dogs in your household then you house is likely to smell of dogs. You won’t notice the smell as you will be used to it. Even when you pop out to work or for a night out you won’t notice it when you come back. It’s only when you leave it for an extended period of time that you notice it smells of dogs.  However, when someone visits they can smell it but are mostly too polite to mention it.” 

Gareth’s point is about being in touch – having sufficient contact with ‘visitors’ that someone eventually has the audacity to mention the dreadful pong and suggest something is done about it. There’s a lot to be said for a breath of fresh air, after all. But Gareth’s point is also that the issue, nebulous as it might be, is systemic.

(more…)

Next Page »